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8 January 1836 – 25 June 1912. Most renowned painters.

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Theodoor Rombouts
Allegory of the Court of Justice of Gedele in Ghent

ID: 80766

Theodoor Rombouts Allegory of the Court of Justice of Gedele in Ghent
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Theodoor Rombouts Allegory of the Court of Justice of Gedele in Ghent


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Theodoor Rombouts

Flemish , b. 1597, Antwerpen, d. 1637, Antwerpen was a Flemish Baroque painter specializing in Caravaggesque genre scenes of card players and musicians. He studied under Abraham Janssens in Antwerp and was in Italy between 1616 and 1625, where he was heavily influenced by Caravaggio.   Related Paintings of Theodoor Rombouts :. | Playing Cards | The Tooth-puller | Strid over et spil kort | Card Players | The Card Players |
Related Artists:
Claudio Jose Vicente Antolinez
painted Inmaculada in 1670
Jacques Linard
(1597-1645) was a French painter of the first half of the 17th century. He painted still-lives. He was baptised on the 6th of September, 1597. His first records of being of artist was in the 1620's. He was married in 1626 to the daughter of a Parisian Master Painter. In 1631 he is quoted as a painter
Maso da San Friano
(1536-1571) was an Italian painter active in Florence. His real name was Tomaso D'Antonio Manzuoli. He was born in San Friano and died in Florence. According to Giorgio Vasari, Maso was a pupil of Pier Francesco Foschi while others claim it was Carlo Portelli. He collaborated with an elder Michelangelo on some projects. His altarpiece of the Visitation was painted in 1560 for the church of San Pier Maggiore of Florence - now in Trinity Hall Chapel, Cambridge, England. A similar work can be seen in the Prato cathedral. After 1561, he painted in the church of Ognissanti, Florence and in the church of Santa Felicita. He participated in the decoration of the Studiolo of Francesco I with an oval canvas relating the Fall of Icarus story (1572). The canvas has an affected milling in individuals below and an anomalous perspective; both are classic features of mannerist painting. His second contribution Mining of Diamonds. A portrait of Ferdinando I de' Medici (1570) by Maso can be found in the Town Council Hall of Prato. He is thought to be one of part of the Contra-Maniera or Counter-Mannerism movement in Florence. His most important pupils were Jacopo da Empoli and Alessandro Fei. One of his paintings, thought to be of Cosimo I de Medici in 1560, is believed to be the oldest to show a watch






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